The internationalization of the Program can be attested through the actions already carried out with international partnerships.
Research projects with participating members from foreign institutions
Antonio Adami – New models of multimedia sound and radio narration cultural products - digital storytelling and interactivity. Participation of MANUEL ÁNGEL FERNÁNDEZ SANDE (Complutense University of Madrid, Spain), listed in the GP Media, Culture and Memory;
Carla Montuori Fernandes – Tensions between Social Fields: fake news and the reconfiguration of the communication field. Participation of EVA CAMPOS DOMINGUES (University of Valladolid, Spain), listed in the GP Media, Culture and Memory;
Paolo Demuru – Football, media and new populisms in contemporary Brazil: a socio-semiotic look. Participation of FRANCISCU SEDDA (University of Rome Tor Vergata, Italy), listed in the GP Semiopolitics of Sociocultural and Media Processes;
Simone Luci Pereira – Urban cultures, youth and alternative musical-media practices in São Paulo: uses of the city, socialities and interculturality. Participation of PAULA MARIA GUERRA (Institute of Sociology of the University of Porto, Portugal).
CESEM/ FCSH Universidade Nova de Lisboa – Participates in the Thematic History of Music project in Portugal and Brazil, coordinated by Prof. Manuel Pedro Ferreira (in progress).
Publications of international circulation of the Program
ADAMI, A. Radio production and memory of São Paulo as Intangible Cultural Heritage. Documentacion de las Ciencias de la Informacion, v. 43, p. 57-62, 2020.
ADAMI, A. Radio in Brazil: The Size of the Medium and the Current Stage of Research. In: J.Ignacio Gallego; Manuel Fernández-Sande; Nieves Limon. (Org.). Trends in Radio. 1ed.Newcastle - England: Cambridge Scholars Publishing, 2018, v. 1, p. 277-287.
CONTRERA, M. S. Imagination and the symbolic dimension of the image. REVISTA LATINOAMERICANA DE CIENCIAS DE LA COMUNICACIÓN, v. 15, p. 1-10, 2019.
CONTRERA, M.S.; BARROS, A. T. M. P. Études de l'imaginaire - l'initiation en tant que méthode. SOCIÉTES (PARIS), v. 142, p. 129-140, 2018.
DEMURU, P. I nuovi stadi di San Paolo. In: Ana Claudia de Oliveira. (Org.). San Paolo in divenire, tra identità, conflict and riscritture. 1ed.Rome: Nuova Cultura, 2017, v. 1, p. 306-330.
DEMURU, P. Imágenes de la Nación y Nuevo Populismo entre Brasil y Perú: a semiotic-discursive view. REVISTA LATINOAMERICANA DE CIENCIAS DE LA COMUNICACIÓN, v. 16, p. 168-179, 2019.
DEMURU, P. Prendere Posizione. Actes Semiotique, v. 1, p. s/p, 2017.
DEMURU, P.; SEDDA, F. Da cosa si riconosce il populismo. Ipotesi semiopolitiche. ACTES SEMIOTIQUES (EN LIGNE), v. 129, p. 1, 2018.
DEMURU, P.; SEDDA, F. The socialist body. Actes Semiotiques, v. 130, p. 1-14, 2020.
DEMURU, P.; SEDDA, F. Socialism. Forme dell'espressione nell'era del populismo digitale. Carte Semiotiche, v. 6, p. 130-145, 2019.
DEMURU, PAOLO; SEDDA, F. La rivoluzione del linguaggio socialista: umori, rumori, sparate and provocazioni. Italian Journal of Philosophy del Linguaggio, v. 13, p. 26-40, 2019.
FERNANDES, C.M.; DE OLIVEIRA, L.A.; GOMES, V. B. Fake news and the reconfiguration of the journalistic field was post-truth. REVISTA DE LA ASOCIACIÓN ESPAÑOLA DE INVESTIGACIÓN DE LA COMUNICACIÓN, v. 7, p. 231-249, 2020.
FERNANDES, C.M.; OLIVEIRA, L. A.; MARTINS, T. F. Political Propaganda on TV and the HGPE as a hegemonic model of electoral strategy: analysis of the 2014 election. Mediaciones Sociales, v. 17, p. 135-153, 2018.
FERNANDES, C.M.; SANTOS, C. Mapping of Studies on Electoral Debates on Television in Brazil. RAZON Y PALABRA, v. 21, p. 495-510, 2017.
GRECO, C. Specialized and popular criticism: authority and taste in the debate on TV quality. In: FERIN, Isabel; CASTILHO, Fernanda; GUEDES, Ana Paula. (Org.). TV SERIES FICTION IN THE LUSOPHONE SPACE. 1d.Covilha, Portugal: LabCom, 2017, v. 1, p. 203-226.
GRECO, C. Noveleiros online: how fans can turn a soap opera into a cult. Palabras clave, v. 20, p. 884-916, 2017.
GRECO, C.; LIMA, M.; PEREIRA, T. The Phenomenon of Biblical Telenvelas in Brazil and Latin America. In: Wickham Clayton. (Org.). The Bible Onscreen in the New Millennium: New Heart and New Spirit. 1d.Manchester: Manchester University Press, 2020, v. 1, p. 1-1.
GRECO, C.; VASSALLO DE LOPES, M. I. Fanfic as adaptation: The Phantom of the Opera case. Communication and Society (Guadalajara), v. 2020, p. 1-23, 2020.
HELLER, B.; PERAZZO, P.F.; VECCHI, C.G.; MELLO, L. G. M. M. The construction of the memory of a Tribuna Metalúrgica worker: Histories of life and militancy. REVISTA LATINOAMERICANA DE CIENCIAS DE LA COMUNICACIÓN, v. 18, p. 61-70, 2020.
LONGHI, C.R.; OLIVEIRA, I. S. Elecciones 2018 en Brasil: análisis de las imágenes en Facebook de los candidates en la second vuelta. Estudios sobre el Mensaje Periodístico, v. 26, p. 1455-1469, 2020.
MARQUES, G. S. E.; FERNANDES, C. M. La telenovela Salve Jorg and and the Policy division regarding the Treats of Personas in Brazil. RAZON Y PALABRA, v. 22, p. 168-181, 2018.
PEREIRA, S. L. Idylls, identities and listening in the musical-media work of Marina de la Riva. In: II International Symposium Comunicación Y Cultura, 2017, Colima/Mexico. Memories of the II International Symposium on Communication and Culture. Colima: University of Colima, 2017.
PEREIRA, S.L.; AVELAR, M. S. Urban communication dynamics in the Bixiga neighborhood (São Paulo/Brazil): music, multi-territory production and drifts. In: XIV Congress of the Latin American Association of Investigators in Communication - ALAIC, 2018, San José/Costa Rica. Memories of the XIV Congress of the Latin American Association of Investigators in Communication - ALAIC. San Jose: Alaic, 2018.
PEREIRA, S.L.; SOARES, T. Reguetón in Cuba: censorship, ostentation and grietas in media policies. Palabras clave, v. 22, p. 143-170, 2019.
SILVA, M. R. The eclipse of imaginary: instrumental imaginary and reducing the imaginative power of images. MATRICES (ONLINE), v. 14, p. 119-141, 2020.
SOUZA, G. Memories of displacement in the Brazilian documentary: testimonio and landscape in Aboio, by Marília Rocha. CHASQUI. REVISTA LATINOAMERICANA DA COMUNICACIÓN, v. 137, p. 245-259, 2018.
SOUZA, G. The train, the journey, the ruin: memory and displacement in the Brazilian documentary. montages. Journal of Cinematographic Analysis, v. 8, p. 23-39, 2019.
SOUZA, G.; CAETANO, R. The performances of power in Citizen Kane: exercise, connivance and confrontation. RAZON Y PALABRA, v. 23, p. 658-684, 2020.
VALENTE, H. A. D. E la nave va... Nel blu, ti pinto di blu: Tourist cruises: floatting cities and musical soundscapes. , Naples. La città, il viaggio, il turismo : precezione, Produção, Transformazione (The city, the travel, the tourism: prerception, production, processing. Naples: CIRICE - Centro Interdipartimentale di Ricerca sull?Iconografia della Città Europea., 2017. v. 1. pp. 909-914.
VALENTE, H. A. D. 'Una musica dolce suonava....' Memory and nomadism in the Italian-Brazilian song. In: Maeder, Costantino ; Reybrouck, Mark. (Org.). Making sense of music: studies on musical semiotics. 1ed.Louvain/ Leuven (Belgium): UCL Presses Universitaires de Louvain, 2017, p. 195-204.
VALENTE, H.A.D.; Coli, J. M. Memory, nomadism and the construction of vocal personality in bolero. In: Luis Omar Montoya Arias, Saulo Sandro Alves Dias, Heloísa de A. Duarte Valente, Marco Aurelio Díaz Güemez. (Org.). Mexico. Musical heart of Latin America. 1d. Merida: ESAY, 2018, v. 1, p. 311-340.
VALENTE, H.A.D.; Montoya, L.O. (Org.); ALVES, S. (Org.). Mexico. Musical Heart of Latin America. 1. ed. Yucatán: Escuela Superior de Artes de Yucatán / Universidade Paulista, 2018. 628p.
VALENTE, H.A.D.; RODRIGUES, A. D. The rancher lovers. Mexico. Musical heart of Latin America. 1d.Mérida: ESAY, 2018, v. 1, p. 64-93.
PPG productions resulting from research projects with foreign institutions
ADAMI, A.; SANDE, M.A.F.; DIAS, L. Pioneering Brazilian Radio Magazines and Spectacularization. In: 40 INTERCOM, 2017. 40 INTERCOM. São Paulo: Editora da Intercom, 2017.
PERAZZO, P.F.; HELLER, B.; CUELLAR, K.Y.C.; LEMOS, V. Memory, identity and alterity in the life story of a German immigrant (Brazil, 20th century). BULLETIN - CENTER OF LETTERS AND HUMAN SCIENCES (UEL), v. 75, p. 53-82, 2019.
DEMURU, P.; SEDDA, F. Da cosa si riconosce il populismo. Ipotesi semiopolitiche. ACTES SEMIOTIQUES (EN LIGNE), v. 129, p. 1, 2018.
DEMURU, P.; SEDDA, F. The socialist body. Actes Semiotiques, v. 130, p. 1-14, 2020.
DEMURU, P.; SEDDA, F. Socialism. Forme dell'espressione nell'era del populismo digitale. Carte Semiotiche, v. 6, p. 130-145, 2019.
DEMURU, PAOLO; SEDDA, F. La rivoluzione del linguaggio socialista: umori, rumori, sparate and provocazioni. Italian Journal of Philosophy del Linguaggio, v. 13, p. 26-40, 2019.
VALENTE, H.A.D.; Montoya, L.O. (Org.); ALVES, S. (Org.). Mexico. Musical Heart of Latin America. 1. ed. Yucatán: Escuela Superior de Artes de Yucatán / Universidade Paulista, 2018. 628p.
FERNANDES, C.M.; DOMÍNGUEZ, E. C. Mobilizations in the social network: the Spanish party Podemos and the Brazilian electoral scenario. LUMINA (JUDGE FROM OUTSIDE), v. 13, p. 85-102, 2019.
PEREIRA, S.L.; MOYA, M. M. Music, Sounds and Dissonances: Research Experiences on the Streets of Two Cities. In: 41st Brazilian Congress of Communication Sciences - Intercom, 2018, Joinville/SC. Anais do 41st Brazilian Congress of Communication Sciences, 2018.
Foreign visiting professors or researchers received by the PPG
ANAHÍ ALEJANDRA RÉ (National University of Cordoba, Argentina), ISABEL CAPELOA GIL (Catholic University of Lisbon), MARISA ALEJANDRA MUÑOZ (National University of Cuyo, Argentina), VALENTINA BULO (University of Santiago de Chile, Chile). Participated in conferences VI COMCULT, promoted in 2018 in partnership with PPGCOS-PUC/SP and PPGCOM FACASPER with FAPESP funding.
CLAUDIA ATTIMONELLI (Aldo Moro University, Bari, Italy), VICENZO SUSCA (Paul Valéry University, Montpellier and Center for Studies on the Current and Daily Life University of Sorbonne, France) and MCLUHAN FELLOW (University of Toronto, Canada) at the Pornocultura Roundtable , communication and aesthetics. Journey to the bottom of the flesh: pornoculture as a reaction to the saturation of traditional pornography, coordinated by Solange Wajnman, in 2017;
FRANCISCU SEDDA (University of Rome Tor Vergata, Italy). He participated as a professor, together with Paolo Demuru, in the Advanced Seminar on Interactional Practices, Languages and Populist Discourses in Digital Social Networks: explorations from the Italian case, held between September 28 and October 16, lasting 10 hours, for enrolled students. The seminar was held remotely, as due to the pandemic, the visit of Prof. Franciscu Sedda was suspended. The event integrates an exchange project with Erasmus funding requested and with suspended analysis also due to sanitary conditions;
GUNTER GEBAUER (Free University of Berlin, Germany). Held the conference: Do the masses still exist? Emotions of the masses and the issue of the experiential self in Aula Magna commemorating the 20th anniversary of the creation of PPGCOM UNIP, in 2017;
IGNÁCIO FRANCO (Postgraduate Program in Sciences in Ecology and Sustainable Development at the Colegio de Fronteira Sur, San Cristóbal de las Casas, Chiapas, Mexico). Held the conference: Intercultural Communication: Decolonization of Thought, under the coordination of Jorge Miklos.
MARTIN LOPEZ MOYA (Centro de Estudios Superiores de México y Centroamérica, Universidad de Ciencias y Artes de Chiapas, Mexico). He participated as a visiting professor in PPG activities between September 03 and 27, 2018. In the period, he participated in meetings of GP Musimid (in which Prof. Simone L. Pereira participated before the creation of Ubersom), of the Communication Theory subject and Culture taught by Prof. Simone Luci Pereira, from the qualifying panel of student Milena Santana Signor Avelar, in addition to teaching the seminar Ethnography as a Method in Communication Research, lasting 16 hours, for PPG students;
MICHEL MAFFESOLI (Paris V University, Sorbonne, France). Held the conference: Communication and Post-Modernity in Aula Magna opening the PPG activities in 2018.
SUSANA SARDO (University of Aveiro) and JOSÉ LUIS FERNÁNDEZ (Facultad of Social Sciences - University of Buenos Aires). They participated in the opening and closing conferences of the 14th MUSMID, promoted in 2017 with FAPESP funding.
CELSA ALONSO (University of Oviedo, Spain), Paulo Chagas (University of Riverside, United States), Martín de la Cruz López Moya (University of Chiapas, Mexico) participated in the 14th MusiMid (2018) (funded by FAPESP).
SERGIO PUJOL (University of La Plata, Argentina) participated in the 15th MusiMid (2019) (funded by FAPESP).
MARIA JOÃO SERRÃO AND PAULO FERREIRA DE CASTRO (New University of Lisbon) participated in the 16th MusiMid (2020).
JUAN PABLO GONZÁLEZ (Alberto Hurtado University, Chile) and Pablo Alabarces (University of Buenos Aires, Argentina) participated in the 17th MusiMid.
Foreign professors/researchers on thesis defense committees in the Program
KARLA YOLANDA COVARRUBIAS CUELLAR (Universidad de Colima, Mexico) / Communication and Memory: oral narratives of life history of the producers and distributors of the metallurgical platform in the “New Unionism” (1978 TO 1985) - Cristine Gleria Vecchi (Thesis): 11/11 /2020;
ANGEL FERNÁNDEZ SANDE (Universidad Complutense de Madrid, Spain) / The Untold Radiophonic Paulicéia – Luciana Antunes (Dissertation): 03/01/2019;
MANUEL ÁNGEL FERNÁNDEZ SANDE (Universidad Complutense de Madrid, Spain) / Radiophonic Cultural Heritage of São Paulo – Renato Cesar de Souza Teixeira (Dissertation): 03/01/2019;
MANUEL ÁNGEL FERNÁNDEZ SANDE (Complutense University of Madrid, Spain) / Revista do Rádio between 1953 and Cultura Do Espetáculo – Lucia Carvalho Moreira Dias (Thesis): 06/27/2019;
TERESA CUNHA (University of Coimbra, Portugal) - Weight and the Media: an autoethnography of fatphobia from the perspective of complexity - Agnes de Souza Arruda (Thesis): 06/17/2019.
PPG performances in internship/training, technical visits, research and cooperation meetings in a foreign institution
AGNES DE SOUSA ARRUDA, graduate (2019). During her doctorate she carried out a research internship in a sandwich period at the Center for Social Studies of the University of Coimbra, Portugal. PDSE CNPq Scholarship.
CARLA MONTUORI FERNANDES (2018). Participation in the Seminario Internacional de Innovación Docente e Investigación en Comunicación at the Universidad de Valladolid, Spain.
CARLA MONTUORI FERNANDES (2018). Participation in research activities with the GP Reflexión y Estudio de la Comunicación Online at the University of Valladolid, Spain.
IVETE MARIA SOARES RAMIREZ RAMIREZ, PhD student (2020). In the second semester, she attended the discipline Comunicación y Cultura, taught by Prof. Rodrigo Moulian Tesmer in the Doctoral Program at the Faculty of Philosophy and Humanities at the Universidad Austral de Chile. Participation took place remotely due to the pandemic.
SIMONE LUCI PEREIRA (2018). She served as a visiting professor and held research meetings at the Centro de Estudios Superiores de México y Centroamérica (CESMECA) of the Universidad de Ciencias y Artes de Chiapas (Mexico).
SIMONE LUCI PEREIRA (2019). acted as teacher in the Youth Agenda of the IX Escuela Internacional de Posgrado de la Red INJU, organized by the Consejo Latinoamericano de Ciencias Sociales (CLACSO), El Colegio de La Frontera Norte, La Red Iberoamericana de Posgrados em Infancias y Juventudes (RedINJU), Centro de Estudios Avanzados en Niñez y Juventud del CINDE-UManizales (CEANJ), El Colegio de México (El COMEX) and the Centro de Investigaciones Superiores em Antropologia Social (CIESAS).
Professors and graduates of the Program who carried out a postdoctoral or senior internship abroad
ANTÔNIO ADAMI carried out a research internship at the Universidad Autonoma de Barcelona and a postdoctoral degree at the Facultad de Ciências de la Información de la Universidad Complutense de Madrid, Spain (FAPESP Scholarship).
CARLA MONTUORI FERNANDES held a postdoctoral degree in Communication at the Universidad de Valladolid, Spain (FAPESP Scholarship).
CARLA REIS LONGHI held a postdoctoral degree in Communication at the Facultad de Ciências de la Información de la Universidad Complutense de Madrid, Spain (FAPESP Scholarship).
HELOÍSA DE ARAÚJO DUARTE VALENTE carried out a research internship at the École des hautes études en sciences sociales, France (Scholarship holder CNPq).
JORGE MIKLOS carried out a research internship at Vilém Flusser-Archiv in Berlin (Support FAPESP).
MALENA SEGURA CONTRERA held a postdoctoral degree at the University of Vienna (Austria) (Support FAPESP), with research internships at the University of Seville (Spain) (Support FAPESP) and at the Free University of Berlin (Germany) (Support FAPESP).
SIMONE LUCI held a postdoctoral degree in the Progranma de Investigación Posdoctoral en Ciencias Sociales, Niñez y Juventud of Red CLACSO de Posgrados and Red INJU, in Buenos Aires, Argentina; Tijuana, Mexico; Medellin and Manizales, Colombia.
SOLANGE WAJNMAN held a postdoctoral degree at Escola Superior de Teatro e Cinema de Lisboa (FAPESP Scholarship) [Link with NDP only in 2017 and 2018].
Professors with guidance or co-orientation of students in programs abroad
ANTONIO ADAMI – co-supervision by Bruno Domingues Micheletti. New Alternatives for the Management of Radiophonic Heritage: Analysis of Experiences and Practices in Museums and Fonotes in Brazil and Spain. Start: 2018. Thesis (Doctorate in Journalism) - Universidad Complutense de Madrid, Spain.
ANTONIO ADAMI – co-supervision of David Alvarez. Musical radio in Spain: Analysis of the commercial radio formula. Start: 2017. Thesis (Doctorado en Periodismo) – Universidad Complutense de Madrid, Spain.
HELOÍSA DE ARAÚJO DUARTE VALENTE – co-directed by Jimena Anabel Jauregui. The tango in the massive mediums. The broadcasting construction of a musical genre. 2019. Thesis (Doctorate in Social Sciences) - Universidad de Buenos Aires, Argentina.
SIMONE LUCI PEREIRA – co-supervision by Tomas Frere. Raza, class and nation in the current state of Brazilian popular song. Start: 2020. Thesis (Doctorate in Music) - Universidad Nacional Autónoma de Mexico, Consejo Nacional de Ciencia y Tecnología, Mexico.
PPG students with co-advisors in programs abroad
EVERTON VITOR PONTES DA SILVA. Alternative musical flows in São Paulo between streets and networks: territorialities, performativities and negotiations in queer activism. 2020. Thesis. Co-supervised by Paula Guerra (University of Porto, Portugal).
PATRICIA CRISTINA DE LIMA. The democratic scenario through memetic humor: a comparison between Brazilian and Spanish reality. Start: 2018. Thesis. Co-supervised by Eva Campos Dominguez (Universidad de Valladolid, Spain).
Professors in editorial committees and in the editorial board of journals abroad
HELOÍSA DE ARAÚJO DUARTE VALENTE
Member of the Advisory and Reading Committee of the DeSignis Journal [ISSN 2462-7259] of the Federación Latinoamericana de Semiótica
Professors with academic activities abroad (teaching, seminars, boards, commissions, selection processes)
MALENA SAFE CONTRERA (2020). He participated in the board of ELADIO JARDÓN FERREIRO. The Strategic Positioning: A Glocal Competitive Identity. Thesis. University of Valencia, Spain.
SIMONE LUCI PEREIRA (2018). He taught the course Urban Studies in the Current at the Centro de Estudios Superiores de México y Centroamérica (CESMECA) of the Universidad de Ciencias y Artes de Chiapas (Mexico).
SIMONE LUCI PEREIRA (2018). Lead argument as external member of the evaluation jury of thesis projects of the first year of the Doctoral Program of Music at the University of Aveiro, Portugal, for students Ana Maria Brito Cardoso, Antônio Alberto Ruivo Ventura Martins and Eduardo dos Reis Falcão.
SIMONE LUCI PEREIRA (2019). He taught the course Public Cultural Policies at the Centro de Estudios Superiores de México y Centroamérica (CESMECA) of the Universidad de Ciencias y Artes de Chiapas (Mexico).